连尼卡有动画鬼才之称,他的作品充满黑色调,常令人发恶梦的场景。《迷宫》是他的第一部代表作,一个长着翅膀的人,在一个陌生的城市降落,诡异的城市怪兽横行,诡异的事物随后一个接一个发生了……这是一个长着翅膀的孤独男子自我意识上的卡夫卡事的故事。影片怪异、荒诞,却毫不夸张地表现了被极权主义规则残害吞噬的景象。 导演试图建立一个新的实验电影,凝聚当代艺术抽象拼贴画,暗喻和超现实主义,粗糙简单的材料在这些电影传达同时威胁一个荒谬的无序的宇宙。这个作品被认为是动画电影史上反映政治题材最出色的作品之一。
テレビシリーズ『鉄腕アトム』のなかから、第46話「ロボット宇宙艇の巻」、第56話「地球防衛隊の巻」、第71話「地球最後の日の巻」の3本を選び、そこに第1、2、3話の一部のシーンを加えて再構成した劇場映画。
子どもたちに大人気の児童書シリーズ「かいけつゾロリ」がプラネタリウムに登場!宇宙を舞台に大冒険!?アーサー王子がお宝を探す旅にでることを聞きつけたゾロリたちは、おうごんに輝く星を目指しますが・・・!?「おうごんの星をさがせ編」「ちきゅうをめざせ編」の連結バージョンとなっております。
Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.
Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.
The humour and irony-laden art criticism of György Kovásznai’s previous films is further developed in this short. Each of the three episodes acquired a different visual presentation. The first episode makes fun of the cinema (and its overstimulating effect), the second of the theatre (and its hypocrisy) and the third of the classical music (and its snobbism).
本片用拼贴的手法将现实中的照片糅合在动画里,形成鲜明独特的视觉风格。 男人一生都生活在自己订制的框架里。无忧无虑的青少年时代结束后,他像大多数人一样,踏上社会进入机遇与危机并存的职场,在某一个对他人来说倒霉透顶的场合被老板赏识,事业平步青云,遇到看上眼的女人,开始用金钱维持爱情和婚姻,逐渐变得两耳不闻“框”外事。这一过程中,加在他身上的框架变得日益复杂庞大,修饰的纹路也越来越多,他也越来越陶醉于呆在其中。
Kozyavin是一名普普通通的公司小职员,每日本本分分按部就班地做着自己该做的事。 一天,他准时下班时被老板叫住,老板要他去找一个名叫Sidorov的出纳员,他开始逢人就问:“你见到Sidorov了吗?一个已经到了的出纳员。”众人皆摇头。于是,为了做好老板所交代的事,他从公司找到周围的每一个角度,又找到全世界每一个角落,虽然最终一无所获,但他觉得总算给老板有了交代。返回公司后,他继续之前每天都在做的事,一如既往地老老实实。
Winnie the Pooh and the Honey Tree is a 1966 animated featurette based on the first two chapters of Winnie-the-Pooh by A. A. Milne. The film was directed by Wolfgang Reitherman, produced by Walt Disney Productions, and distributed by Buena Vista Distribution on February 4, 1966 as a double feature with The Ugly Dachshund. It was the last short film produced by Walt Disney, who died of lung cancer on December 15, 1966, ten months after its release. Its songs were written by the Sherman Brothers (Richard M. Sherman and Robert B. Sherman) and the score was composed and conducted by Buddy Baker. Winnie the Pooh and the Honey Tree was the first animated featurette in the Winnie the Pooh film series, in which it was later added as a segment to the 1977 film The Many Adventures of Winnie the Pooh.
Rock 'n' Rodent is a 1967 Tom and Jerry short (though the year of copyright is 1966) directed by Abe Levitow and produced by Chuck Jones, and featured music by Carl Brandt. The title is a pun on "rock and roll", despite the music played being jazz. Animation was supervised by Ben Washam, Dick Thompson, Tom Ray, Don Towsley and Ken Harris.
홍정승의 서자로 태어난 길동은 봉건사회제도에 반발하여 의적이 된다. 그는 활빈당을 조직하고 탐관오리들의 재물을 탈취하고 응징하며 빈민들을 구제한다. 이에 조정에서는 그를 잡아 들이려고 백방으로 노력하지만 허사였다. 마침내 길동은 율도국을 창건하고 스스로 왕이 된다.
该动画片刻意模仿苏维埃间谍片风格,可是其中的紧张与刺激,更像一个笑话。 高官在电视上看到敌国有高级换牙设备,可怜起自己受难的牙齿,立刻召来下属,布置下要把该设备偷偷弄来的任务,听命的下属二话不说找来正各行其事的三个能干的特工。敌国听闻风声,自然也不甘落后,同样布下天罗地网。于是,一场间谍战与反间谍战自此开始,敌我两方几乎不分职业不论长幼全民皆间谍(连猫也变得异常警惕),开始了上天入地的明暗争斗。——一切招数用尽,到头来不过是个巨大讽刺。 模仿一些苏联侦探电影。外国侦探负责人通过间谍的方式,试图接收一个新的苏联牙科手术扶手椅。苏联侦察兵打破了这些计划。
许多亿年前,恐龙与其它动物和平友好地在地球上生活。像许多动物一样,它们延续物种的方式是雌雄结合生子,通常,母恐龙产下蛋宝宝后,会把它放在离太阳最近的山顶,太阳的热量能使这些恐龙蛋孵化出一个个小恐龙。 后来,地球的环境越变越糟糕,气温逐渐降低,当恐龙蛋再被放到山顶时,太阳已经不再能给它们孵化出小恐龙的热量。再后来,恐龙这种动物从地球上消失不见。 这是一个有关成长的寓言。恐龙因为过分呵护自己的孩子而灭绝:小恐龙们不能独自解决生活中的困难,最终使得整个恐龙族群毁灭。
A short continuously looping animation of six grotesque human figures vomiting.
The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".
大风呼啸不止的寒冷冬夜,衣不蔽体的老奶奶正奋力赶路,突然,一个会发光的毛线球滚到她脚下,老奶奶将它捡起,可是因为毛线实在太少,又将它放下准备继续赶路。这时,毛线球变身成为一只毛线小羊,老奶奶惊喜地发现,这只小羊是取之不尽的宝库,她用它不仅编织出取暖用的衣物,还编织出温暖的房间和各种日常用品。 老奶奶生活条件的突变引起穷苦邻居的好奇,他们纷纷来到她的门前一窥究竟,老奶奶将小羊藏好,邀请他们进屋,并秘密地继续编织出各种高档用品。优美欢快的音乐声中,穷困的人们相拥起舞,老奶奶瞥见自己皱纹纵横的脸,想着编织出一张年轻的容颜,她不知道的是,躲在暗处的小羊此时已精疲力竭。 面向成年观众。本片基于Ovsey Driz的童话故事改编。
歌唱家来到练歌房准备练声,见里面矗立着一头巨大的怪兽,吓了一大跳,但他仍走到钢琴前坐下,开始弹奏起钢琴来,这时,怪兽发出不和谐的怪叫,歌唱家回头盯视,怪兽停止发声。 歌唱家以为可以好好地练习歌喉了,哪知他刚开口歌唱,怪兽就又发出更难让人忍受的怪声。无奈,歌唱家开始和怪兽抗争,但终苦苦哀求它手下留情。怪兽并不领情,相反一口将歌唱家吞噬。再张口发出动人的歌声时,怪兽满意地离开了练歌房。 面向成年观众。
「東宝チャンピオンまつり」の第1回として上映、飛雄馬が高校野球で花形と対決し、巨人に入団するまでの第38話から第52話を再編集ブローアップ。ただし「大造闇討ち→飛雄馬の自主退学」は省かれている。 同時上映は『ゴジラ・ミニラ・ガバラ オール怪獣大進撃』と『コント55号 宇宙大冒険』。
Cheburashka arrives in Moscow in a crate of oranges. He cannot find his place, he can't even exhibited at the City Zoo because he is unknown for science. He makes friendship with a lonely crocodile, a girl and a dog. Together they start to build a "house for friends" because there's a lot of lonely people and animals are living in Moscow. Antigonist anarchist old lady Shapoklyap (Chapeau-Claque, named after her hat) tries to fail their attempts. Will she succeed?
一场赛狗比赛结束,观众席上有人哭有人笑。紧接着,最后一场也是最为关键的一场比赛来临,工作人员在每条参加比赛的狗的头上挂上了一条鱼,好让它们奋力向前跑,不想哨声吹响后它们原地打起转转,在观众纳闷的高声质问中,该工作人员劝大家看清赌博的真相,讲如此的人生同赛场上拼命奔跑的狗并无本质区别。 突然,灯光全熄,在观众要他下台的时候,他的同事也在广播中劝大家不要听他胡说八道,并开始对最后一场比赛讲解,完全看不见比赛进况的观众一边咒骂,一边紧紧竖起耳朵,劝大家远离赌博回归现实的工作人员早被乱石击毙。灯大亮,观众发现赛场上只有倒下的那名工作人员,并无竞相追逐的狗,而此时的广播里,对赛况的讲解正酣。